Відео

the most important part is the metronome in smart tempo, otherwise you can’t fit into the slow parts. It is still a hard thing to get right, because those arpeggios requires being literate in texture vs voice leading. So i gave up using this , and started publishing what i can play…still using VSL .

Buenisimo! otro truco para que mis vecinos crean que soy un genio! Mercy mr. V! :-)

Now I want to see you try 😎

Con estos tips mis vecinos van a pensar que soy concertista!!! :-) muchas gracias hehe!

Your editing of the MIDI data has turned it into a beautiful performance, Vincent!👍 Your first performance is expressed in Japan as "If there is a hole, I want to go in and hide😁

Small hands AND bad technique! Definitely bad technique.

👍

One day I'll be able to play this !!! One... Day !

😳😳😳😍

😂😂😂👍

Good evening Vincent! It was a very good performance. And I just happened to pick up a Bösendorfer Upright on sale this month! It sounds very good and I like it☺

😄

The problem with recording at a slower tempo and then changing it back to its original faster tempo is that the dynamics drastically change 100% of the time. The performers dynamics will be greatly different when playing a composition at a slow tempo vs a fast tempo. This 'tip' goes as far back as the 80's and has never really caught on en masse, though it does have a few viable use cases in other areas. Keep up the great content as always, VSL! 👍

I’m hoping that muse score gets there someday. Finale is not intuitive but you can do it. I’m not sure MuseScore is featured enough yet.

Exactly what I have been waiting for!!!! You guys are amazing!

Thanks for this tutorial! 😊 Does your midi controller have a sustain pedal? Or is it something you added later?

Strange how the VSL Synchron Piano player doesn’t indicate which piano is loaded

Fantastic development and work done here! And you can see the personal engagement of him on this! This is when humans want to make the best ever possible. Awesome work. Congratulations.

Hm... I am not that over-exited yet to hear this. Is the compressed version optional or are we forced to use the compressed version? What audio codec is used for this compression and which clock has been used for this conversion and what do you refer to by "lossless"? LossLess is a marketing term and is used for audio compression "which is almost not to hear" created by smart codecs like flag. But still, it is compression of data and mastering engineers would maybe argue that they can hear it. Same goes for cables etc. Can not really think of it been used professionally. And audio compression becomes an issue with very fast quick attacks, multiple voices and fades. Take Liszt La Campanella as example. Especially classical music requires high resolution audio recordings. I am still not exited yet until I know more about it.

Far too much room reflections and reverb smearing over the whole audio. This almost blurs the perlage of the runs and its single note starts when the hammer hits. Something which is the very most important part on fast runs, otherwise a piano would became a shallow synth pad on a fast run. I hope it is possible to turn this room off?

Eso es trampa amigo jajaja! un abrazo! suena super bien !

Beatiful piece!!! Well, well done!! Liszt forever!!

Sorry guys. I still didn't get the Campanella. Hope you liked the video tho! 💙

You folks are simply the best!

What’s the name of this piece at 4:20

What’s the name of Bach piece at 3:20? It’s beautiful

It's June 2024 now. I hope you're still reading these. I wasn't expecting a refresher lesson on orchestration and voicing. Thanks.

Is it got half pedaling feature?

I'm going through each of these videos, playing the audio through my stereo system. You know it is an excellent sounding software piano. My questions are: - How many different pianists did you use for the demos? - What was the midi keyboard controller that they played for recording all of this music? - And did they all play the same keyboard?

Vienna has the crappiest download servers. Takes FOREVER to download updates. Just ridiculous.

Thanks for this very helpful video. Just a question at 1.36 min you show the output setup, however the output numbers do not correspond with the default numbers for Atmos for each stereo pair in the present version of Logic (11.x.). Does this matter for binaural listening. I assume that output1/2 is stereo 1, 3/4 stereo 2 etc. So there might be issues if the stereo pairs defined in the SY player do not correspond with the locations in the Atmos default.

280vc is my all time favourite❤

awesome video and great playing wow :) i have the Fazioli F212 would you say the Bluethner 1895 would be a good expansion ? :)

I think the Imperial 290 actually sounds most like a typical professional piano recording (not speaking about the default preset's left stage positioning, rather the overall tone) and the others are mostly fun to play because you can hear everything you're doing. Your preferences are that way and not about trying to sound like a commercial recording. The big Fazioli is nice and better than most I've heard. If the Steinway was recorded more like the Imperial (yes you will say they were identical recordings by a robot, but still) then it would really be a standard sound because nearly everything you hear is a D and not just because Steinway enforces on it, but because that's the most balanced sound with the broadest range. I wince at how many prefer the CFX, maybe for pop music OK, the 280 may be even better for pop. It's hard to crank a decent recording out of a CFX, as in, strong emotional transfer. Half the price for a reason (the piano, not the sample). I got the Steinway light with SE1, the Imperial Std and the Bosey upright for a more distant sort of intimate cinematic moment accompaniment, not for showing off. VSL need to redo the sympathetic resonance model by the way, I see they always turn it off, I turn it back on but it could be a lot better. The lack of good resonance makes all these pianos seem empty and static on the sustains which is the primary issue with them. Demos that throw too many notes at us obscure this. It's nice VSL sometimes offer demo licenses and refunds.

What a great video but why didn’t you mention jazz music? Cryyyyyyy

280VC needed more love. I produced a prog metal album with it.

Why there is no Bosendorfer on the list? 🥲 my bad it was until the end but as a 2nd option 🫣

Cher Guy. For a long time the D-274 has been my beloved sweetheart, and now, I'm discovering the CFX, making its way into my pianistic heart ...! Merci. It is a necessary video. 🎉

Excellent and helpful video! Well done.

VSL por suscripción mensual o anual. Para cuando?

Incredible video editing! 🎉

Where did you get the score?

Great teaser walk-through my friend! I have these libraries and you just opened up my eyes to their real potential. Even though we use different DAWs makes me wonder how big of a Template & Instances you had setup in VEP? Nice trick with Andromeda! I am going to have to try that myself. Thank you for the video and inspiration to duplicate (with my own imagination) what I just watched. 🙂

Amazing work! And incredible video editing.

Masterclass on programing!, thanks!.

Im still saving for the Bosendorfer Imperial 🙏 and truly love that you release a free demo guys!!! Thanks to VSL.

es sonido.de melacolia surdina nade no poide intender hamas las notas

Is compressed file make loading slow?

Hiya D.A.! So nice to see you again! How've you been? 👏👏

I've had an iLok account for over 5 years. I couldn't even get that far. Insanely difficult to setup.